In this lesson we’ll take a detailed look at working with XAVC S S-Log2 material in FCP-X. I’ll be covering:
- Using the built-in S-Log2 LUT
- Shot matching
If you’re absolutely new to FCP-X, then please start by watching my primer on importing, exporting and data management:
Here’s the workflow for XAVC S S-Log2 in Final Cut Pro X:
And here’s the completed one-minute sequence (I shot more than an hour of material, and this is just a five shot sample):
Notes and Takeaways:
- The built-in S-Log2 feature only works if you have exposed to middle gray. Using the wolfcrow system, it will not work.
- The shot matching will not work with the wolfcrow system. You must grade manually.
- Obviously I made a mistake in scaling the finished sequence in Vimeo. The original aspect ratio is 2:1.
Click on the link below to the next lesson or head over to the main menu (above). If you need help with something, feel free to send me an email. I’ll try to get back to you as soon as possible.